“Director Roxana Haines’ insistence that neither the central abused child nor the perpetrator of the abuse is ever portrayed by an individual onstage is key to both the drama of the staging and that crucial ensemble feel to the production… the fluent choreography of the ensemble is as impressive as the singing.”

“...if this is the future of Scottish Opera, it’s in excellent hands.”

“This opera is definitely deserving of many future performances so here’s hoping we all get a chance to see it again soon!”